<\/p>\n
The LMDA Guide To Dramaturgy Programs in the U.S. and abroad is available on-line at<\/strong>: http:\/\/www2.ups.edu\/professionalorgs\/dramaturgy\/programs.htm<\/a><\/p>\n ALABAMA<\/strong><\/p>\n University of Alabama<\/strong><\/p>\n PO Box 870239 ARIZONA<\/strong><\/p>\n Arizona State University (MA, MFA or PhD)<\/strong><\/p>\n Herberger Institute for Design and the Arts, School of Theatre and Film The ASU Herberger Institute School of Theatre and Film educates imaginative, knowledgeable, skilled and responsible artists, teachers, scholars and audience members through inventive curricula and innovative programming. The School of Theatre and Film’s programs, outstanding faculty, exceptional visiting artists, state-of-the-art equipment and abundant performance and production opportunities give you the skills you need to succeed.<\/p>\n CALIFORNIA<\/strong><\/p>\n University of California – Davis<\/strong><\/p>\n Davis, CA 95616-8577 University of California – San Diego<\/strong> Masters of Arts in Theatre available in the following concentrations: CONNECTICUT<\/strong><\/p>\n Yale University School of Drama (MFA or DFA)<\/strong><\/p>\n 222 York Street FLORIDA<\/strong><\/p>\n Florida State University (MA or PhD)<\/strong><\/p>\n Tallahassee, FL 32306 The Theatre Studies faculty, with diverse backgrounds in scholarship, academics, and performance, works with an organizing principle, \u201cfrom evidence to action,\u201d that expresses our commitment to a process that moves from collecting and analyzing evidence to creating action in the form of written and performed research.<\/p>\n We use a variety of approaches to collect and analyze various forms of evidence\u2014documents, interviews, images, and objects, as well as play scripts. Our methodologies reflect the most current developments in theatre research while still respecting tried and true methods of the past. Approaches include: Critical Race and Gender Studies, Cultural Studies, Dramaturgy, Ethnography, Historiography, and Phenomenology. In addition to offering seminars using these methodologies, we integrate them throughout our curriculum.<\/p>\n Each of these approaches shares a commitment to exploring performances in their social, historical, and political contexts. The Theatre Studies faculty\u2019s scholarship and creative activity are grounded in the belief that performance, from ancient Greek tragedies to the most post-modern performance art, is part of a vital process through which citizens shape their communities. The Theatre Studies faculty considers its members\u2019 work as scholars and artists integral to that ongoing process.<\/p>\n Our own research as well as the program’s curriculum evolves around the following themes: An international perspective. The emphasis on the intersection of national identity, citizenship and performance is enhanced through exposure to a range of performance traditions, plays and politics. Faculty expertise as scholar\/artists. Through careful mentoring, we encourage students to examine how theoretical ideas intersect with performances of the past and present. ~ The PhD prepares students for careers in teaching and research at the college and university levels and a variety of careers in the arts and related professions. The doctoral curriculum requires 66 semester hours beyond the Master\u2019s degree (42 hours of course work and at least 24 dissertation credits). For students on assistantship, 9 hours per semester constitutes a full-time load. Students who are not funded and those on fellowship register for 12 hours per semester. After satisfactorily completing their coursework, students\u00a0must pass comprehensive examinations (written and oral) to advance to candidacy and write the dissertation. The doctoral program in Theatre Studies requires that students\u2014in addition to meeting all University requirements\u2014demonstrate reading knowledge of at least one foreign language, complete an assignment in production dramaturgy, and complete at least one term of student teaching in a course with a web-assisted component.<\/p>\n Funding. Graduate Assistantships and Fellowships are available to qualified candidates. Please visit www.gradstudies.fsu.edu\/<\/a><\/p>\n ILLINOIS<\/strong><\/p>\n Roosevelt University (MFA)<\/strong><\/p>\n 430 S Michigan Ave INDIANA<\/strong><\/p>\n Indiana University (MA, MFA or PhD)<\/strong><\/p>\n Bloomington, IN 47405 MFA in Playwriting at Indiana University:<\/strong><\/p>\n An intensive, three-year program consisting of coursework productions, and professional engagement. Full tuition waver and substantial assistantship (approx $11,000 per year.) The program will be kept small (3 students total) to create an environment free from competition for resources or for productions.<\/p>\n Website: http:\/\/www.indiana.edu\/~thtr\/academics\/MFA_playwriting.shtml<\/a><\/p>\n IOWA<\/strong><\/p>\n University of Iowa (MFA or PhD)<\/strong><\/p>\n North Riverside Drive KANSAS<\/strong><\/p>\n University of Kansas (MA and PhD)<\/strong><\/p>\n Graduate Studies c\/o The Department of Theatre MASSACHUSETTS<\/strong><\/p>\n Harvard University (Institute for Advanced Theatre Training)<\/strong><\/p>\n 64 Brattle St. University of Massachusetts – Amherst (MFA)<\/strong> MINNESOTA<\/strong><\/p>\n University of Minnesota – Minneapolis (PhD)<\/strong><\/p>\n 208 Middlebrook Hall NEW YORK<\/strong><\/p>\n Brooklyn College (MFA)<\/p>\n 2900 Bedford Ave Columbia University (MFA, PhD in Theatre History and Criticism)<\/strong> CUNY Graduate Center (PhD in Dramatic Literature, Criticism, Theory and History)<\/strong> Hunter College (MA)<\/strong> University of Buffalo (MA)<\/strong> The MA in Theatre & Performance integrates scholarship and performance practice within a dynamic and multi-disciplinary context. Working closely with faculty in a small cohort, graduate students develop their individual research by combining history, criticism, and theory with lab-based projects that explore the implications of their research within a critical arts practice. The intentionally small size allows for direct mentorship in research, writing, and production within a program of study designed to best serve each individual student. Courses are available in complementary areas of study through the Departments of Architecture, Media Study, Visual Studies, and Music as well as other cognates throughout the arts and sciences, including humanities, arts, and technological sciences.<\/p>\n Questions may be directed to: SUNY – Stony Brook (MA or MFA)<\/strong> OHIO<\/strong><\/p>\n Ohio State University (MA, PhD)<\/strong><\/p>\n 1809 Drake Union SOUTH DAKOTA<\/strong><\/p>\n University of South Dakota (MA in Theatre with a focus on Dramaturgy)<\/strong><\/p>\n Department of Theatre The University of South Dakota’s Department of Theatre is proud to offer our MA in Theatre with a focus on Dramaturgy. Our MA in Theatre offers an intensive program for students who wish to enter the field as literary managers and dramaturgs for regional theatres or continue their education in a PhD program. Our MA program views the dramaturg as a collaborative scholar\/artist who contributes to nearly ever aspect of the theatrical production: from early conceptual meetings with directors and providing critical research to designers, actors, and stage management to serving as the ambassador between the production and the audience through various outreach practices and materials, including program notes and talk-backs. And as such, our MA students are expected to work as dramaturgs on multiple and diverse productions, including classics,contemporary, experimental, and musical theatre. Our program also develops the dramaturg\u2019s skills in working with playwrights as they craft their texts for the stage. Along with the practicum, our MA program follows a course of study that is grounded in<\/p>\n TEXAS<\/strong><\/p>\n Texas A & M (MA in Peformance Studies)<\/strong><\/p>\n Department of Performance Studies MA in Performance Studies with an emphasis on the ethnographic examination of vernacular culture. The department has faculty strengths in Africana studies, dance studies, ethnomusicology, folklore, performance ethnography, popular music studies, religious and ritual studies, theatre and media studies, and women’s and American studies.<\/p>\n Performance Studies is also in the midst of a five-year initiative designed to build inter-institutional research networks, increase visiting scholar and artist residency programs, and provide additional research and creative opportunities for faculty and students. Our graduates have received travel support for conference presentation and serve as assistants in the classroom and in our production programs. Current MA students are presenting papers at national conferences, working on an NSF-funded project to use performance as research to interrogate the effects of gender in STEM research and pedagogy, and conducting ethnographic and archival research in support of their MA thesis projects.<\/p>\n We have stipends and tuition remission available for qualified applicants. Applications will be accepted until we reach our stipend quota; for best consideration, please apply by February 15, 2012.<\/p>\n Please contact Dr. Kirsten Pullen, Director of Graduate Studies (kpullen@tamu.edu<\/a>) with any questions.<\/p>\n WASHINGTON<\/strong><\/p>\n Central Washington University (MA Theatre Studies)<\/strong><\/p>\n Theatre Arts Department This is an opportunity to join this exciting program specifically designed to build the research and analytical skills students will need to pursue academic careers in theatre. This resident program will unite a select group of students who will work together as an academic community under outstanding faculty mentorship. With opportunities for hands-on dramaturgical experience, teaching, and theatre research, this program offers the perfect blend of theory and practice needed to prepare young practitioners for success as theatre scholars.<\/p>\n For more than a decade the Department of Theatre Arts has offered a limited-residency M.A. degree, considered to be among the strongest in the region, with a reputation for excellence that draws students from around the world. Building on our history for quality programming, we are thrilled that our program has expanded to offer the full-time residency M.A. in Theatre Studies, led by some of the finest faculty in the region, for those students who are serious about approaching the art of theatre from an academic standpoint. Central Washington University M.A. graduates have joined nationally recognized doctoral programs and outstanding regional theatres with marked success.<\/p>\n Whether career goals involve pursuing a PhD program, a teaching career in higher education, or dramaturgical work with regional theatres, students will find a challenging and rewarding path designed to take them to the next level.<\/p>\n Teaching assistantships, which include tuition waivers and modest stipend, are available each year for qualified students.<\/p>\n CANADA<\/strong><\/p>\n University of Ottawa<\/strong><\/p>\n Department of Theatre MA in Theatre, Theatre History and Dramaturgy<\/strong>: MFA in Directing for the Theatre<\/strong>: York University<\/strong> York University’s MFA in Theatre is an intensive, two-year (five-semester) conservatory program. It is designed for serious, advanced theatre artists who want to further hone their skills so as to enter – or re-enter – the profession, or to seek the knowledge needed to teach. Classes are small, hours are long and expectations from faculty are high.<\/p>\n The MFA in Theatre is currently offered in three fields of specialization: Acting, Directing, and Design for Performing Arts. The MFA is the terminal degree in these fields. Graduate Diploma in Voice Teaching for Theatre is also offered.<\/p>\n ENGLAND<\/strong><\/p>\n University of Birmingham<\/strong><\/p>\n Department of Drama and Theatre Arts King’s College London<\/strong> Unique opportunity to pursue interests in Theatre and Performance Studies in the heart of London. Rigorous theoretical inquiry complemented by the opportunity to engage hands-on in performance, archival and curatorial practice through self-directed research and internship programmes. Ideal basis for a PhD in the field or further work in the arts.<\/p>\n University of Roehampton<\/strong> This cutting-edge course provides opportunities to engage in performance as an interdisciplinary practice, spanning the fields of live art; theatre; dance; lens-based and digital media; and visual, site-specific and socially-engaged art. Moving fluidly between practical and theoretical approaches, participants explore the dynamic dialogue connecting research and creative practice that is increasingly shaping a significant body of work in the arts.<\/p>\n Key areas of study include: interdisciplinary performance practice; paradigms of performance: philosophy and performance, visual and cultural theory; the artist as a cultural agent: producer and provocateur; the art of the project: conception, realisation, documentation and development; creative cooperation: the politics of collaboration and collectivity; terms of engagement: networks, institutions, audiences and publics. Prospective applicants are welcome to contact the Course Convenor for informal discussion, Simon Bayly: s.bayly@roehampton.ac.uk<\/a><\/p>\n University of Warwick<\/strong><\/p>\n Erasmus Mundus MA in International Performance Research The Erasmus Mundus MA in International Performance Research (MAIPR) is a 16-month programme aimed at students with a particular interest and\/or background in the performing arts, therefore those who may wish to pursue a career in or add value to already existing skills in aspects of arts practice or pursue and academic career through advanced study, perhaps leading to a Ph.D. The ideal candidate has a strong academic background and also has experience with creative practice in theatre and\/or performance. You may be in your final year of an undergraduate degree or have been working in a performance-related profession or area.<\/p>\n IRELAND<\/strong><\/p>\n National University of Ireland, Galway<\/strong><\/p>\n School of Humanities National University of Ireland, Galway are now offering 30 scholarships for structured PhD programmes. The Hardiman Research Scholarships are fully-funded four-year PhD scholarships, focused on five key areas of research in which the University offers leading expertise. The value of the Research Scholarship is a stipend of \u20ac16,000 plus fees. Among the areas of research being funded is a strand on Humanities in Context. This features a number of projects that will be of interest to students of Irish drama.<\/p>\n
\n
\nTuscaloosa, AL 35487-0239
\n(205) 348-9032
\nFax: (205) 348-9048
\nhttp:\/\/www.ua.edu<\/a>
\nType<\/strong>: MFA in Playwriting\/Dramaturgy. A combination of playwriting courses and intensive study in scholarly disciplines of literature, theatre history and criticism. Third year MFA Dramaturgs is spent with the Alabama Shakespeare Festival.<\/p>\n
\n
\nPO Box 872002
\nTempe, AZ 85287-2002
\n(480) 965-5337
\nhttp:\/\/theatrefilm.asu.edu\/degrees\/<\/a>
\nType<\/strong>: MFAs in Directing, Dramatic Writing, Interdisciplinary Digital Media and Performance, Performance Design and Theatre for Youth; PhDs in Theatre and Performance of the Americas and Theatre for Youth<\/p>\n
\n
\n(916) 752-0888
\nhttp:\/\/www.ucdavis.edu\/index.html<\/a>
\nType<\/strong>: The PhD in Theatre Research allows for departmental and other production opportunities. Internships are also available.<\/p>\n
\n9500 Gilman Drive
\nLa Jolla, CA 92093-0344
\n(858) 534-1046
\nhttp:\/\/www.theatre.ucsd.edu<\/a>
\nType<\/strong>: In collaboration with the Department of Drama at UC Irvine. Students have access to faculty and resources of both schools. Production and publication opportunities.<\/p>\n
\nCritical Studies in Theatre
\nTheatre Education
\nDramaturgy
\nPublic Offerings and Other Opportunities
\nFor more information, please contact the program director, Dr. J. Hopkins
\ndhopkins@mail.sdsu.edu<\/a><\/p>\n
\n
\nNew Haven, CT 06520
\n(203) 432-1505
\nhttp:\/\/drama.yale.edu\/<\/a>
\nType: Program includes production dramaturgy assignments, critical writing workshops, theatre magazine workshop and possible publication, training in play translation, and production opportunities.<\/p>\n
\n
\n(850) 644-6795
\nhttp:\/\/theatre.fsu.edu\/Graduate<\/a>
\nType<\/strong>: Small classes and flexible curriculum.<\/p>\n
\nThe tradition seen anew. Having thoroughly grounded our students in Western theatre history, theory, criticism, and canonical works of dramatic literature, we encourage them to re-imagine the classics from postcolonial, feminist, and queer perspectives.<\/p>\n
\nNew work and ways of working. In addition to a keen interest in the staging of new plays and other types of performance activity, students are encouraged to engage with most current theoretical models of conceptualizing identity and performance.<\/p>\n
\n~ The MA is designed for students interested in pursuing doctoral studies, teaching in secondary schools or junior colleges, or in strengthening their academic preparation for professions such as literary management and dramaturgy. The MA degree may be earned under a thesis program or a comprehensive exam program. Students planning to go on for a PhD are advised to pursue the MA with a thesis program. Both options require students to demonstrate proficiency in a foreign language. The thesis program requires a minimum of 30 semester hours of course work, including a maximum of 6 hours of thesis credit. The comprehensive exam program requires a minimum of 32 semester hours of course work.<\/p>\n
\n
\nChicago, IL 60605
\n(312) 341-3500
\nhttp:\/\/ccpa.roosevelt.edu\/theatre\/programs.htm<\/a>
\nType<\/strong>: Chicago College of Performing Arts brings together its professional degree programs in The Music Conservatory and The Theatre Conservatory. Production opportunity available.<\/p>\n
\n
\n(812) 855-4535
\nFax: (812) 855-4704
\nhttp:\/\/www.indiana.edu\/~thtr\/<\/a>
\nType<\/strong>: The MA is 30 hours, MFA is 60 hours and PhD is 90 hours. The program offers a large amount of production work to support the scholarship work.<\/p>\n
\n
\nIowa City, IA
\n(319) 335-2700
\nhttp:\/\/www.uiowa.edu\/~theatre\/programs\/dramaturgy\/dramaturgyinfo.htm<\/a>
\nType<\/strong>: Individual production dramaturgy projects. Research-based, performance-oriented thesis required in third year. Many production opportunities available.<\/p>\n
\n
\nMurphy Hall
\n1530 Naismith Drive, Room 356
\nLawrence, Kansas 66044
\n(785) 864-3511
\nFax: (785) 864-5251
\nkhummel@ku.edu
\nhttp:\/\/theatre.ku.edu\/academics\/graduate.shtml<\/a>
\nType<\/strong>: MA and PhD in Theatre Studies.<\/p>\n
\n
\nCambridge, MA 02138
\n(617) 495-2668
\nhttp:\/\/www.amrep.org\/iatt\/homepage.html<\/a>
\nType<\/strong>: Two-year, five semester professional training program. Includes a three-month residency at the Moscow Art Theatre School in Russia.<\/p>\n
\n112 Fine Arts Center
\nAmherst, MA 01003
\n(413) 545-2687
\nhttp:\/\/www.umass.edu\/theater\/grad.html<\/a>
\nType<\/strong>: Coursework is tailored to individual\u2019s goals. Program allows for production work, thesis, internships and foreign language proficiency.<\/p>\n
\n
\n412 Twenty Second Avenue South
\nMinneapolis, MN 55455
\n(612) 625-6699
\nFax: (612) 625-6334
\nhttp:\/\/cla.umn.edu\/theater\/home.html<\/a>
\nType<\/strong>: PhD requirements include Theatre History\/Theory sequence, Dramaturgy, New Historiography; departmental production experience; foreign language proficiency. Professional Internship at the Guthrie Theatre possible.<\/p>\n
\n
\nBrooklyn, NY 11210-2889
\n(718) 951-5666
\nhttp:\/\/depthome.brooklyn.cuny.edu\/theater\/Brooklyn%20College%20redesign\/GradDramaturgy.html<\/a>
\nType<\/strong>: The MFA program in Dramaturgy and Theater Criticism combines intensive scholarship with an abundance of practical experience and professional involvement to prepare students for the practice of dramaturgy in the complete range of professional theatre. Program includes production work and externships.<\/p>\n
\n605 Dodge Hall
\nNew York, NY 10027
\n(212) 854-3408
\nhttp:\/\/www.columbia.edu\/cu\/theatrephd\/<\/a>
\nType<\/strong>: The dramaturgy\/criticism program is designed to train dramaturges for the complete range of professional theatre and to train critics who may perform dramaturgical functions with theatres but who also will be capable of writing intelligent and provocative criticism for newspapers and journals.<\/p>\n
\n33 West 42nd Street
\nNew York, NY 10036
\n(212) 642-2231
\nFax: (212) 642-1977
\nhttp:\/\/www.gc.cuny.edu\/<\/a>
\nType<\/strong>: The Ph.D. Program in Theatre is designed to develop scholars and practitioners of broad theoretical background and demonstrated research ability. Program does not include production work, but most students work in theatre in New York City and externships are available.<\/p>\n
\n695 Park Ave
\nNew York, NY 10021
\n(212) 772-5148
\nFax: (212) 650-3584
\nhttp:\/\/www.hunter.cuny.edu\/<\/a>
\nType<\/strong>: Dramaturgy Concentration. The program was designed as a preparatory program for the Theater Ph.D. at the CUNY Graduate Center, and all Hunter credits (up to 30) are accepted toward that doctorate.<\/p>\n
\n285 Alumni Arena
\nBuffalo, NY 14260-5030
\n(716) 645 0587
\nhttp:\/\/theatredance.buffalo.edu\/academics\/graduate\/<\/a><\/p>\n
\nSarah Bay-Cheng, PhD
\nDirector of Graduate Studies in Theatre
\nbaycheng@buffalo.edu<\/a><\/p>\n
\nStony Brook, NY 11794-5450
\n(631) 632-7300
\nFax: (516) 632-7258
\nhttp:\/\/www.stonybrook.edu\/<\/a><\/p>\n
\n
\n1849 Cannon Drive
\nColumbus, OH 43210
\n(614) 292-5821
\nFax: (614) 292-3222
\nhttp:\/\/www.the.ohio-state.edu\/<\/a>
\nType<\/strong>: Requirements in literature and history. The program combines production experience, practical dramaturgical work, production opportunities, publication, theatre studies and affiliations with regional and local equity companies to serve prospective teachers, scholars, and critics in the theatre arts.<\/p>\n
\n
\n414 East Clark Street
\nVermillion, SD 57069
\n(605) 677-5735
\nhttp:\/\/www.usd.edu\/fine-arts\/theatre\/<\/a><\/p>\n
\n
\nTAMU4240
\nCollege Station, TX 77843-4240
\n963-1750
\nkpullen@tamu.edu<\/a>
\nhttp:\/\/performancestudies.tamu.edu\/performance-studies<\/a><\/p>\n
\n
\n400 E. University Way
\nEllensburg, WA 98926
\n963-1750
\nhttp:\/\/www.cwu.edu\/~theatre\/program\/graduate\/theatre-studies.html<\/a><\/p>\n
\n
\n135 Seraphin-Marion St. Room 304B
\nOttawa, ON K1N 6N5
\n(613) 562-5761
\nhttp:\/\/www.theatre.uottawa.ca\/eng\/program_masters_theatre.html<\/a><\/p>\n
\nThis new two-year (with MA thesis) program permits students to develop and perfect their interpretative, critical and scholarly skills. Students may choose to specialize in one or two of\u2014but are not limited to\u2014the following subjects: a) Theory and Practice of Dramaturgy (production dramaturgy, new play development, dramatic and theatrical adaptation, edition and annotation of plays); b) Theory of Performance (theory and practice of theatre criticism, text based, and devised performance, collective creation and site-specific theatre); c) Theatre Archives; d) Theory and Practice of Translation for Theatre. We accept only six students per year, with alternating English and Franch language cohorts.<\/p>\n
\nThe Department of Theatre of the University of Ottawa offers the only bilingual Master of Fine Arts in Theatre (MFA) (Directing) in directing for the theatre in the country. During their two year course of study, our MFA students complete a rigorous practical and theoretical training as directors of repertoire. Our program also aims to cultivate our students’ sense of aesthetic diversity, exposing them to contrasting approaches to the director’s art, from traditional, text-based production to devised and postdramatic performance. MFA students have the opportunity to work alongside acclaimed professional directors. MFA students have served as assistant directors to such artists as Richard Rose and Peter Hinton and have taken master classes with internationally renowned directors as Denis Marleau, Alexander Marin, Jean-Marie Papapietro, Guy Sprung, and Nadia Ross. The MFA in directing accepts two students per year, and there are only four candidates in the program at any given time.<\/p>\n
\nGraduate Program in Theatre
\nCentre for Film & Theatre 326
\n4700 Keele Street
\nToronto, Ontario M3J 1P3
\n(416) 736-2100
\nhttp:\/\/www.yorku.ca\/gradthea\/mfa\/<\/a><\/p>\n
\n
\nEdgbaston
\nBirmingham
\nB15 2TT, UK
\n+44(0)121 414 5998
\nFax: +44(0)121 414 5781
\ndrama@contacts.bham.ac.uk<\/a>
\nSee our website for information about our research Masters degrees (MPhil B) in:
\nPlaywriting<\/strong>: http:\/\/www.drama.bham.ac.uk\/pg\/mphilplaywriting.shtml<\/a>
\nDirecting and Dramaturgy<\/strong>: http:\/\/www.drama.bham.ac.uk\/pg\/mphildramaturgy.shtml<\/a>
\nDrama and Theatre Studies<\/strong>: http:\/\/www.drama.bham.ac.uk\/pg\/mphildrama.shtml<\/a><\/p>\n
\nDepartment of English
\nStrand WC2R 2LS
\nEngland, United Kingdom
\n+44(0)20 7848 1773
\nhttp:\/\/www.kcl.ac.uk\/prospectus\/graduate\/theatre_and_performance_studies<\/a><\/p>\n
\nDepartment of Drama, Theatre and Performance
\nRoehampton Lane
\nLondon SW15 5PJ
\nUnited Kingdom
\n+020 8392 3000
\nhttp:\/\/www.roehampton.ac.uk\/postgraduate-courses\/performance-and-creative-research\/index.html<\/a><\/p>\n
\nApplicants are eligible for Roehampton postgraduate scholarships: http:\/\/www.roehampton.ac.uk\/Finance\/Funding\/<\/a><\/p>\n
\nThe Department of Theatre and Performance Studies
\nMillburn House
\nCoventry CV4 7HS
\nEngland
\n+44 (0)24 7615 0913
\nmaipr@warwick.ac.uk<\/a>
\nhttp:\/\/www2.warwick.ac.uk\/fac\/arts\/theatre_s\/postgraduate\/maipr<\/a><\/p>\n
\n
\nUniversity Road
\nGalway, Ireland
\nB15 2TT, UK
\n+353 91 524411
\nhrscholar@nuigalway.ie<\/a>
\nhttp:\/\/www.nuigalway.ie\/about-us\/news-and-events\/hardiman-scholarships\/index.html<\/a><\/p>\n