On May 27, 2021, Erik Muurisepp, Assistant Vice President of Campus Life, announced that Emerson College would “revise its regulations for those living, learning, and working on campus,” effective June 1….
The Office of Research and Creative Scholarship congratulates recipients of the 2021 Presidential Fund for Curricular Innovation (PFCI): Curriculum Internationalization and Inclusive Excellence Studio award. The following faculty and their…
The Office of Research and Creative Scholarship is pleased to announce the grant recipients of this year’s Affiliated Faculty Professional Development Fund (AFDF) application cycle: Faculty Member Department Title of…
The Office of Research and Creative Scholarship is pleased to announce the recipients of this year’s Norman and Irma Mann Stearns Distinguished Faculty Award. This year’s recipients are Rashin Fahandej,…
Hopefully in the not-too-distant-future, phrases like “challenging times” and “a year like no other” will become relics of the past, rather than reminders of the present. But while there may be…
Biden Made a Promise to Scientists. He Can Still Keep It.Researchers who receive federal help consistently fail to report their results to the public. The government should hold them accountable….
On Grant-Writing: Just What Are Your Project’s ‘Specific Aims’?What to include on the most high-profile page of your research-grant application: a section-by-section look at the key structural and content features…
The Andy Warhol Foundation and Creative Capital are offering the Arts Writers grant (due May 19) which supports both emerging and established writers who are writing about contemporary visual art….
Mneesha Gellman, Associate Professor in the Marlboro Institute for Liberal Arts and Interdisciplinary Studies received a second two-year grant from the Sociological Initiatives Foundation to continue her research on the…
Robin Danzak, School of Communication Associate Professor in the department of Communication Sciences and Disorders wrote an article “Someone Else’s Child: A Co-Constructed, Performance Autoethnography of Adoption from Three Perspectives”…
